On Wednesday we went to one of the two immersive light exhibitions currently on view in Paris. Since I had previously seen Au dela des Limites, we went instead to the Klimt/Egon Schiele/Hundertwasser show at L’Atelier des Lumières. I thought this would be interesting because I like all three artists (yes, even the relatively obscure Hundertwasser). Both exhibitions use hundreds of video projectors managed by a massive computer system to create an immersive environment, with light projected on the walls and floor, as well as on visitors. This exhibition is made up of several shows, one mixing Klimt and Schiele, one on Hundertwasser and one that just plays with digital motifs.
Klimt show at L’Atelier des Lumières
Death at the Klimt Show at L’Atelier des Lumières
We both enjoyed this exhibition, but it’s different in several key respects from the other one:
- This show is based on classic fine art, so at times it offers an intense shock of recognition. The other one has many lovely artistic elements, but all newly created by the developers.
- The space is a former foundry, retaining many architectural elements. These can be interesting but also distracting. There also seem to be more awkwardly placed exit lights.
- Basically the same video shows on all the walls at the same time, so you only move around to get a more interesting angle.
- The video isn’t interactive.
Bottom line, if you can only see one go to L’Atelier des Lumières if you are strongly attracted to the artists, but go to Au dela des Limites if you want to have a more stunning immersive experience.
After the Klimt show we had reservations at La Régalade Conservatoire, which I had enjoyed earlier in this stay. So … stay tuned for more food porn!
We were ready for the restaurant with time to spare so I took us on a circuitous route, down rue d’Aboukir to see Design et Nature, the most famous taxidermy store in Paris that allows photography (Deyrolle does not).
Which is fiercer? At Design et Nature
Our preprandial walk continued to the nearby garden of the Palais Royale, then through the series of passages (covered arcades) that start with the 1823 Galerie Vivienne, continuing through the 1799 Passage des Panoramas and the 1836 Passage Jouffroy. We arrived just in time for our 7:30 reservation. We were the first patrons, but the restaurant quickly filled up. There was a bit of language confusion at the start, but otherwise I enjoyed the meal almost as much as my earlier one there.
My octopus appetizer at La Régalade Conservatoire
A waitress decanting a bottle of red for another table at La Régalade Conservatoire
Andy at La Régalade Conservatoire
My delicious strawberry rhubarb dessert at La Régalade Conservatoire
On Thursday morning we started with breakfast and people watching at La Grappe d’Or on rue des Petits Carreaux, which is the name for a segment of the same street between rue Montorogueil and my current rue Poissonière. I’m glad that Andy enjoys the passing show here as much as I do.
Breakfast and people watching at La Grappe d’Or on rue des Petits Carreaux
Andy had wanted to see the Catacombs, but they were closed due to a strike, so on Thursday we went instead to the other light show. We both enjoyed it, even though I had been before. Instead of posting separately I added our pics to my earlier post: Au dela des limites.
After the light show we walked up to the Parc des Buttes Chaumont and each enjoyed a beer at Rosa Bonheur.
The suspension bridge at Parc des Buttes-Chaumont
I was puzzled at first by the calmness and peacefulness of both park and ginguette, but then I realized that I have always been there on Sunday, when the park is filled with families and the bar is filled, by early afternoon, with gay men.
We had a quick Italian dinner at Il Tre and made it an early evening since Andy had to be up at the crack of dawn the next morning to catch his flights back home. It was a pleasure to explore Paris again with him, and we agreed that next time he should plan to stay longer!